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Unlike the iterations in Western culture, fan fiction manga is articulated with as much professional finesse as the real thing, and is so incredibly popular that most rotten girls prefer it to commercial fiction. Hana delights in the procedural elements of Boys’ Love storytelling, but is most drawn to one particular type of yaoi: fan fiction. “Much of the drama that transpires towards the end of the story is due to the pure love itself, not in spite of it.” But ultimately the two characters lovingly reunite. “Oftentimes their friends disapprove of the relationship, one of the lovers runs away, or a third lover is introduced,” adds Galbraith. The final two sections broaden the storyline by throwing a wrench in the main characters’ plans to be together. The second chapter of the procedural is what Galbraith calls “the relationship realized” when the two male characters overcome a physical barrier and initiate the sexual component of their affection, which can range from a single kiss to something far more explicit. “The first part of the story details the initial attraction between the two main characters,” says Galbraith “which usually involves the seme-sometimes called the attacker or inserter-pushing himself upon the uke, a softer and perhaps weaker character who is usually considered the protagonist.”Īlthough Galbraith cites “rape as a common motif fueled by extreme love,” the most crucial element of the narrative’s first section is the crescendo of tension between the two potential lovers.
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While the plotlines cater to an immense variety of hyper-specific fetishes within the genre, they all follow a similar course of action that can be parsed into four sections. Stories within the yaoi canon run the spectrum of explicitness, from narratives that delicately hint a romantic connection between two characters to full-blown, explicit male-on-male erotica. Galbraith explains that Boys’ Love is also called yaoi in Japanese, an acronym used to reference the homoerotic relationship of two males for a female audience that stands for “no climax, no punch line, no meaning.” Patrick Galbraith, a visiting researcher at Sophia University and author of The Moé Manifesto, has spent years in Tokyo studying the explosion of BL superfandom, which, according to his findings, pulls in more than $120 million annually, and accounts for roughly 4% of all printed manga in Japan.Īlthough many young women like Hana prefer to keep their comic book predilections a secret, Galbraith estimates that there are well over a million self-titled rotten girls in Japan, which has created myriad sub-genres within the BL universe. Hana sees great disparity in her country’s gender gap, citing a World Economic Forum’s report, which finds Japan towards the bottom of the gender equality list.īL has become Hana’s fantasy world where two people are drawn together for no other reason than the simple fact that they love one another and strive to overcome any impeding obstacles in order to be together. The other problem, according to Hana, with the love between a boy and girl, is that it comes with a lot of societal pressures, like marriage and pregnancy, that can sully the purity of romantic desire. She’s never told anyone about her ten-year obsession with BL comics and wants to make sure she gets it right. She’s come prepared with notes, like any good otaku, and shuffles her pages of penned thoughts like a deck of cards. Hana seeks refuge from the buzzing lights of Otome Road in a nearby café and makes another swirl with her straw. They flock to Otome Road, or “Maiden’s Road”, a wide-set boulevard with a parade of animation-related boutiques selling everything from collectable figurines to thousands upon thousands of comic books. While Tokyo’s neighborhood of Akihabara is known worldwide as the center of otaku culture-a veritable capital of geek-dom, if you will-female enthusiasts tend to congregate beyond of the spotlight in Ikebukuro, on the other side of the city.
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They’re obsessed with what is called BL, or Boys’ Love-fictional stories that detail the romantic entanglements of two men. Rotten girls, or fujoshi in Japanese, is a self-inflicted term used by women throughout the country who fall under a certain category of ardent manga (comic book) and anime (animation) fandom. She slowly moves her straw through the whipped cream in her designer latte and looks up.